José Evangelista pursues an artistic path by which he has explored ways of making music based exclusively on melody. Hence he has developed a heterophonic writing, both for instruments and orchestra, in which the melodic line generates echoes of itself and creates an illusion of polyphony.His music draws its roots from an enlarged vision of tradition: to his Spanish origins he has added the influence of the Indonesian gamelan, the Western avant-garde and that of modal musics. Evangelista was born in Valencia (Spain) in 1943. He began his musical studies with Vicente Asencio while simultaneously studying physics. Later work in computers led him to Canada. Settling in Montréal in 1970, he studied composition with André Prévost and Bruce Mather. Between 1979 and 2009, he was a professor at the University of Montréal. Additionally he was was a founding member of several music companies and in 1987 created the Balinese Gamelan Workshop at the University of Montréal.He has won several prize and garnered numerous commissions, particularly Itinéraire (Paris), Kronos Quartet, Groupe vocal de France, the Société de musique contemporaine du Québec, Radio-Canada and Chants Libres. His works have been performed in Canada, the United States, Europe, Asia and Australia by groups such as the Ensemble Modern (Frankfurt), e Nieuw Ensemble (Amsterdam), Music Projects (London), Orchestre philharmonique de Radio-France, the Montréal Symphony Orchestra, I Musici de Montréal and the Nouvel ensemble moderne.He also created two operas, Exercices de conversation (2000 in Lyon, libretto of E. Ionesco) and Manuscrit trouvé à Saragosse (2001 in Montréal for Chants Libres, libretto by A. Nouss in the words of J. Potocki), and several monodramas including La Porte, in 1987.
[Source: http://www.smcq.qc.ca/smcq/en/artistes/e/evangelista_jo/] [i-18]
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